by Deborah Serani
With the fear and panic surrounding the Corona Virus at the moment, its advisable to understand how the media can be responsible.
News is a money-making industry. One that doesn’t always make the goal to report the facts accurately. Gone are the days of tuning in to be informed straightforwardly about local and national issues. In truth, watching the news can be a psychologically risky pursuit, which could undermine your mental and physical health.
Fear-based news stories prey on the anxieties we all have and then hold us hostage. Being glued to the television, reading the paper, or surfing the Internet increases ratings and market shares — but it also raises the probability of depression relapse.
News programming uses a hierarchy of if it bleeds, it leads. Fear-based news programming has two aims. The first is to grab the viewer’s attention. In the news media, this is called the teaser. The second aim is to persuade the viewer that the solution for reducing the identified fear will be in the news story. If a teaser asks, “What’s in your tap water that YOU need to know about?” a viewer will likely tune in to get the up-to-date information to ensure safety.
The success of fear-based news relies on presenting dramatic anecdotes in place of scientific evidence, promoting isolated events as trends, depicting categories of people as dangerous and replacing optimism with fatalistic thinking. News conglomerates who want to achieve this use media logic, by tweaking the rhythm, grammar, and presentation format of news stories to elicit the greatest impact. Did you know that some news stations work with consultants who offer fear-based topics that are pre-scripted, outlined with point-of-view shots, and have experts at-the-ready? This practice is known as stunting or just-add-water reporting. Often, these practices present misleading information and promote anxiety in the viewer.
Another pattern in newscasts is that the breaking news story doesn’t go beyond a surface level. The need to get-the-story-to-get-the-ratings often causes reporters to bypass thorough fact-checking. As the first story develops to a second level in later reports, the reporter corrects the inaccuracies and missing elements. As the process of fact-finding continually changes, so does the news story. What journalists first reported with intense emotion or sensationalism is no longer accurate. What occurs psychologically for the viewer is a fragmented sense of knowing what’s real, which sets off feelings of hopelessness and helplessness — experiences known to worsen depression.